And for OSCAR 2021 it was no different, we commented on the 5 nominees: The Seven from Chicago, Nomadland, Mank, Judas and Black Messias and Reports from the World.
Fortunately my guess about the winner came true, MANK was the Grand Winner of the Category, which was directed by Erik Messerchimidt.
The film itself is “THE LIGHTING PROJECT”, all the light and shadow resources extremely used in the narrative of the facts!
The film floats among some classic lighting models from the 1930s until now.
I am honored to receive material from FX to analyze the Cinematography of this series, which has captivated audiences around the world, particularly through its recreation of the early 1990s.
I must admit that I was never a Spider-Man fan, not even as a child when I used to watch the classic 1967 animated series on television. But when I came across the news about Spider-Noir, something sparked my curiosity. I did some research and discovered that the concept first appeared in the comic books back in 2008.
Last week, my wife Gabi and I went to see the Michael Jackson film in theaters, and I must admit that I left the screening deeply impressed by both the cinematography and the lighting. Although the two naturally work hand in hand and constantly complement one another, this production makes it very clear that each serves a distinct purpose within the visual narrative.